by jun asuncion
Clarifying some confusions.
I’ve tried to know whether our patriarch Mariano Kagalitan was originally a native Muslim. He was for sure not a mestizo of any kind or a Spaniard for he also had to change his family name later on to a Christian name (which is Assumption, later developed to its present form Asuncion) under the Claveria Decree of 1849.
What was known was that Mariano was one of those prominent people who resided in Sta. Cruz, that he was an accomplished artist himself who, as many of you know by now, produced master artists like Leoncio, Justiniano, Mariano, Jr. and Antonio. Marianos’ ancestors were unknown to us until now. But about his wife Maria de la Paz Molo much is known.
The Beginnings…Of What We Know Only Today.
Maria De La Paz Molo’s father was Ming Mong Lo, who- according to the family history – was a Chinese apothecary of Mandarin origins and married a local woman. Ming Mong Lo adopted the Christian name Jose Molo upon baptism – and that was before the Claveria decree of 1849 and prospered as a merchant in the district of Binondo. He was said to have bequeathed five children, among them Paterno Joseph Molo and Maria de La Paz Molo.
No doubt Maria de La Paz was half-Chinese and half-Filipino – assuming that her mother was not a “local” Chinese ( I have problem understanding what a “local” woman or man meant at that time). Her mother’s identity is totally unknown to me until a few days ago.
And there was some sort of confusions in my search because of this:
In his book, Brains Of The Nation (published 2006 by Ateneo de Manila University Press), Resil B. Mojares took up as subjects of study his “three figures of Filipino Enlightenment”, namely, Pedro Paterno, Th. Pardo De Tavera and Isabelo De Los Reyes and their influence on the production of modern knowledge in the Philippines. He mentioned that Ming Mong Lo, the earliest known patriarch of both the present day Asuncion and Paterno families, got married to a local woman with “blue blood” in her veins, she being the “direct descendant of the Great Maguinoo, or Prince of Luzon”.
My question was: Does this mean that the Asuncions could go as far as Raja Soliman as one among their patriarchs? This Great Maguinoo or Prince of Luzon could only be Raja Soliman, the famous King Of Tondo who initially resisted the Spanish adelantados. Resil’s argument had led me to wrong places which increased the confusion.
Until I was summoned by Maning Yatco by way of his comment here at BO to visit Toto Gonzalez’ Blog Remembrance Of Things Awry because of the interesting discussions there about the Asuncion-Molo-Yatco’s connection. It was in this site where I got an authoritative argument coming from Mickey and Jean Paterno who said that Ming Mong Lo (Jose Molo), their ancestor, married Anastacia Michaela , the proofs of which are the “baptismal records of his sons circa 1780’s.” They argued that their ancestors originally belonged to the “parish of the Parian” and that most probably they moved to the “upcoming barrio San Sebastian in Quiapo, the place “which his children cite as their principality in their legal documents.”
It was probably in Quiapo where Maria De La Paz was born to Ming Mong Lo and Anastacia. ( Her birth had fulfilled already one requirement among others for the realization of the Asuncion clan.) By this point, it was clear to me that we couldn’t count Raja Soliman as among our patriarchs, the “blue blood” in our veins is out of the question then. Resil’s argument was not right, unless Anastacia Michaela, the wife of Ming Mong Lo, could be proven as descendant of Rajah Matanda or Raja Lakandula, both uncles of Rajah Soliman (political dynasty is as old as our history!)
But who was this woman with this blue blood in her veins whom Pedro Paterno was explaining to the English author Mr. Foreman?
Well, at this point we have to clear up first another confusion about Molo and Paterno. Substantially, they are the same. The family name Paterno of the succeeding Molo generations came to be adopted by 1849 (most probably in fulfillment of the Claveria decree) to honor Paterno Joseph, a son of Jose Molo (originally Ming Mong Lo). Notice that Paterno is actually a first name. But it was common at that time among the Chinese mestizos to acquire the first names of their parents as their family names- exactly what the Molos did, at least with certainty by Paterno Joseph’s son, Maximo Paterno who was the father of the widely known historical figure Pedro Paterno of the Pact of Biak- na- Bato.
It was probably from the lineage of Paterno Joseph where this “blue blood” in the veins could be traced back among the succeeding generations of Paternos due to his marriage with Miguela Yamson, the daughter of Juan Yapson and Maria de la Cruz- the name which is claimed to be a descendant of Raja Soliman. (Note that during the introduction of the Claveria Decree, those natives who couldn’t read and write were just asked -or ordered- to draw a cross after their first names, hence the family names De La Cruz). But it was through this “marriage to Miguela Yamson that opened to Paterno Joseph Agustin (Molo) opportunities available only to local royalty, or the “principalia”. Hereafter, he was addressed as Don Paterno Agustin and qualified to run for public office”, commented Micky and Jean Paterno of today.
The Asuncion and Paterno (Molo) Connection
This started with the marriage of Mariano Kagalitan Asuncion to Maria De La Paz, the sister of Paterno Joseph. Paterno’s son Maximo was therefore a cousin of the first Asuncions — Justiniano, Leoncio, etc. It was Maximo who supported Justiniano Asuncion by commissioning portraits for the ladies of his house. Maximo had an astute sense for excellent investments and he had maximized his fortune in his capacity as gobernadorcillo of San Sebastian and Quiapo. He himself married thrice, the first with Valeriana Pineda, the second with Carmen De Vera Ignacio and the third with Carmen’s sister Theodora De Vera Ignacio whose portrait is shown here as painted by Justiniano.
Hence, two things are clearer to me now: First, that the Asuncions have partly Chinese blood in their veins, second, that though they had also engaged in politics, like Mariano, Justiniano, etc., down to Don Zacarias and Adonis Asuncion their strength was not in politics, i.e., the way we understand “political strength” in the Philippines before and now, but it is in the arts and the humanities and sciences that they excelled and earned recognition even beyond their times.
Acknowledgement: Sonny Rayos- Asuncion, Toto Gonzales’ Remembrance Of Things Awry, Micky and Jean Paterno, Resil B. Mojares, Wikipedia